Thursday, May 21, 2020

Analysis Of The Epic Heroes - 1270 Words

Luck of the Hero (An analysis of epic heroes) Often when reading literature, the reader can’t help but think that no character could have such qualities as they are portrayed in the story. A classic example of this are the epic heroes that help facilitate the history of important cultures. The epic is a long piece of poetry describing a hero’s journey to a better self and complete a mission. These heroes are often extremely brave and smart, which can leave the audience doubting any historical accuracy and believability in the character. These characters face nightmares in real life and live to tell the tale. Epic heroes are, after all, the explanation of a culture’s ideal warrior or citizen. However, these heroes also suffer from a tragic flaw, usually hubris or extreme pride in one’s self. It is a legitimate question to wonder how a hero can be so incredibily successful with such a large flaw. This question leads many people to assume that luck has a lot to do with the su ccess of the epic hero. Luck can be construed as the universe’s way of helping things along. Especially with the early polytheistic cultures, divine intervention was a large theme, and this can serve as the backbone of luck for the epic hero. Odysseus from the Odyssey is a prime example as Athena is a constant aid to him in his long journey home. Odysseus truly thrives from divine luck more than his own personal intelligence or bravery. To begin, Odysseus has extreme wit, but much of it is actually luckShow MoreRelatedThe Legacy and Legend of King Arthur and Heroes of Epic Poems: A Comparative Analysis734 Words   |  3 Pagesthe myriad heroes that came before him in ancient times. These heroes include the likes of Achilles, Gilgamesh, and Beowulf. However, principally due to the fact that King Arthur and his exploits are decidedly more modern than those of the aforementioned heroes, there are certain points of variance between his characterization and deeds and those of the figures that existed in ancient times. Therefore, it is accurate to say that Arthur retained many of the qualities endemic to heroes that precededRead MoreThe Ramayana As A Hero Essay1508 Words   |  7 Pagesthe analysis of major heroic archetypes and characters, is how the ancient Indian heroic society takes the ideas of heroism, with specific focus on the epic poem ‘The Ramayana’. Along with the examining of the major characterstics of heroic archetypes, specifically the hero who works with a partner or companion, the hero who works alone and the figure of the hero who plays a background role in the context of the epic, there will also be a brief focus on the importance of the ability of heroes toRead MoreAnalyzing The Ways That Plato Is An Unusual Epic Hero946 Words   |  4 PagesAn Unusual Hero (An Analysis of the Ways that Plato is an Unusual Epic Hero) From the crooked heights of Troy to the winding streets of Athens, the ancient West was fascinated by epic heroes. Bards sang poems about the fleet footed Achilles and the cunning Odysseus. Every man, woman, and child knew the stories of Jason, Hercules, and Hector. However, there is one man who achieved fame akin to the epic heroes of olden times with neither strength nor skill. His name was Socrates. In ancient GreeceRead MoreHeroism In Oedipus The King And The Odyssey1132 Words   |  5 Pages Oedipus the King and The Odyssey share a multitude of similarities, with the most evident one being heroism. These two stories are both considered epic tales, which to say the least, means that they have been passed down thousands of generations. While the main goal is entertainment, epic tales have a common feature of main characters being heroes. The main characters tend to evolve from the beginning of the stories to the end, however, their abilities and strengths are painted in such a way thatRead MoreWeaknesses Of The Epic Of Gilgamesh1027 Words   |  5 PagesKensie Campbell Paper 1 EN 231 9/20/17 What comes to mind when one hears the word hero? We typically refer to a hero as someone with superhuman powers or qualities of bravery, wisdom, and strength. â€Å"The Epic of Gilgamesh† narrates the story of a beautiful, powerful man named Gilgamesh who is king of Sumerian city-state Uruk. In hopes to reverse his destiny, Gilgamesh journeys from one end of the world to the other in hopes to find immortality. The poem of â€Å"El Cid† is about a gentleman who fightsRead MoreHomeric Vs. The Iliad1654 Words   |  7 Pagesin many different works, most notably Homer’s epic poem the Iliad. Depicting a classical style of mass battle, Homeric warriors were thus treated equally as fighters, but were disregarded in the text in order to illustrate the sheer power of the heroes and leaders. Every warrior was just another piece of the phalanx, which is why the army was so withstanding of attack. While warriors and battle were portrayed in this era as one large mass, heroes of war and leaders were illustrated much largerRead MoreIs Satan A Hero Or Villain?1258 Words   |  6 PagesIs Satan a Hero or a Villain? An Analysis of Milton’s Paradise Lost The heroic qualities of Satan in John Milton’s Paradise Lost are overwhelmingly masked by his ‘satanic’ and villainous acts which qualify his character to fall into a category of villain rather than hero. Paradise Lost is an epic poem and like all epic poems, requires an epic hero with a tragic flaw. The tragic flaws of Satan are too prominent and effectual to call him an epic hero, but rather these flaws, or evil characteristicsRead MoreThe Epic Of The Iliad1562 Words   |  7 Pagesgreatest Greek epic poet. He has had an enormous influence on the history of literature. The poem, Iliad, has been translated into different languages, one of which will be used in this paper, translated by Robert Fagles. The poem itself is about one simple word: rage. This anger that infuriates everyone is transformed into a war that will not stop until one side, either Greeks or Trojans, wins. With the majority of the Gods taking sides, the reader can see a combination of heroes a nd gods fightingRead MoreThe Heroic Code1182 Words   |  5 Pagesvaries slightly from the region of the world. There are heroic codes of Asia, Greece, Germany, Spain, etc. They are all different but the basic principles are the same: honor and always being a virtuous person. Since I’m going to be starting off my analysis with examples from Homer’s Illiad, I will describe the Greek version of the heroic code. There are four pillars: first and foremost, the desire to excel and be a distinguished above others. Second, to stand firmly in battle and fight to the deathRead MoreEssay on Tolstoys War and Peace939 Words   |  4 Pageswith them. It follows the characters through fifteen years during the Napoleonic Wars, from 1805 to 1820. It gives a fictional description of the events in the life of the Rostov family as well as some of the historical events of the time. Analysis Tolstoy is regarded by some as the greatest writer about war (Bayley 16). He includes details in the military scenes of War and Peace. Many battles and army movements are described, but the details included are not militaristic. Instead, Tolstoy

Wednesday, May 6, 2020

The Metamorphosis By Franz Kafka - 1903 Words

Writing is seen as a way for the author to freely express his or her ideas to the public. In writing, the author has control of every aspect of their work and this allows for the writer, no matter the world state, to have a sense of freedom and control inside their work. The 20th century, battered by economic depression and two world wars, saw these writers take their creative control and emphasize the current state of the freedom and control of the individual. Kafka’s The Metamorphosis, various World War I poems, and Brecht’s Fear and Misery of the Third Reich show the lack of individual freedom and control that people had over their lives during the destruction that occurred in the 20th century. Published in 1915, Franz Kafka’s The†¦show more content†¦They simply took what they could get in order to make money and keep the family alive and well. Along with his job, Gregor’s physical metamorphosis also shows his lack of freedom and control. Upon awakening to find himself now a bug, Gregor cannot reposition himself on his right side, which is his preferred sleeping position (Meta. 11). In his new state he struggles to perform basic motor functions showing his limitations and decreased freedom to simply walk like a human. A particularly powerful scene is when he is trying to open his bedroom door (Meta. 19). His struggle to turn the key with his mouth vividly shows that Gregor has lost all control in his life. He can no longer function as a human, let alone provide for his family through work. He becomes a burden to the family, which for him, is one of the worst feelings he could have experienced because of how seriously he took being the provider. Finally, in his last moments, Gregor experiences the complete loss of movement due to his injury, which symbolizes people in the early 20th century feeling stuck in pla ce regarding their economic situation (Meta. 49). Again, we see Gregor having no physical control or freedom to move. The only thing left for him to do is die, which he realizes is necessary for his family to move on in life (Meta. 50). Through Kafka’s physical and occupational restraints on Gregor, he displays

Renaissance history Free Essays

â€Å"Renaissance is a term with a variety of meanings, but is used widely in discussion of European history. Renaissance originates from the Latin word â€Å"Rinascere† and refers to the act of being reborn. It is believed that during the time from about 1400AD to around 1600AD, Europe was reborn. We will write a custom essay sample on Renaissance history or any similar topic only for you Order Now Originally the term Renaissance only referred to the time when man rediscovered the knowledge of the ancient Greeks and Romans. However, modern historians have realized these rediscoveries were also crucial to the formation of modern culture. The term Renaissance is now used to indicate all the historical developments that have inspired the end of the Middle Ages and the beginning of modern history. Thus, the term Renaissance has now taken on a more significant meaning: not only does the Renaissance mean the rebirth of knowledge, but also represents a step from the past and a leap towards the future. The Renaissance overlapped the end of a period in European history called the Middle Ages. During this time, the great accomplishments of the ancient Greeks and Romans had been largely, though not entirely forgotten. With the ending of the Middle Ages, the Renaissance great cultural movement arose. Beginning in Italy, the new Renaissance spirit spread to England, France, Germany, The Netherlands, Spain and other countries. In Italy during the 14th and 15th centuries certain scholars and historians began to display a remarkable new historical self-consciousness. They believed their own time was a new age, at once sharply different from the barbaric darkness which was imagined had occurred in the centuries before. They grew to believe that there was more to be discovered about mankind and the world, than medieval people had known. The Italians are very eager to rediscover what clever Greeks and Romans had known in ancient times, as well as making their own intelligent attempts to understand the world. This renewed interest in the world and in mankind is called Humanism. Humanism was the most significant intellectual movement of the Renaissance. Humanism during the Renaissance received its name from one of the earliest concerns of the humanists: the need of a new education curriculum that would empathize a group of subjects known collectively as the ‘Studia Humanitatis† involving grammar, history, poetry, ethics, and rhetoric. However, this new education curriculum conflicted directly with the traditional education, which involved logic, science and physics, and often sharp clashes occured between the two educators. However, more was at stake than the content of education. The traditional education was intended chiefly to prepare students for careers in medicine, law, and above all theology. To Renaissance humanists this seemed too narrow, too abstract and too exclusively intellectual. They proposed a system of education that centred on the general responsibilities of citizenship and social leadership. Humanities essential contribution to the modern world is not found in its concern with ancient knowledge, but in its new attitude of flexibility and openness to all the possibilities in life. With people receiving education-involving leadership, they began to gain more confidants. More people began to reject ideas about science put forward by the ancient Greeks and began to search for the truth. They realized that the Greeks† ideas were often intelligent, but also often wrong. Many people still did not want the old ideas disapproved, and threatened scientists to stop having new ideas. However, this did not stop many brilliant scientific inventions being produced at this time. A great scientist of the Renaissance was the Polish student Nicolaus Copernicus who developed the theory that the earth was a moving planet. He is considered the founder of modern astronomy. In Copernicus† time, most astronomers accepted the theory the Greek astronomer Ptolemy had formulated nearly 1400 years earlier. Ptolemy stated that the Earth was the centre of the universe and motionless. He also stated that all the observed motions of the heavenly bodies were real and that those bodies moved in complicated patterns around the Earth. As the church supported Ptolemy theory no one dared to challenge it until Copernicus. Copernicus believed Ptolemy†s theory was too complicated. He decided that the simplest and most systematic explanation was that every planet, including the Earth, revolved around the sun. The Earth also had to spin around its axis once every day. Copernicus couldn†t prove his theory, but his explanation of heavenly motion was mathematically strong and was less complicated than Ptolemy†s theory. The later work of later scientists such as Galileo Galilei helped to prove that Copernicus† theory was correct. Galileo was a Florentine physicist, philosopher, and inventor, whose name became the chief emblem of Renaissance science and of ensuing technological revolution. In 1609, he heard that the rulers of Florence and Venice were searching for someone who could invent an instrument that made distant objects appear closer. Galileo set to work to construct one, and within a few days he had finished, naming it a telescope. During the winter, he turned his telescope to the sky with startling results. He announced that the moon surface was quite similar to earth†s – irregular and mountainous; the Milky Way was made up of a host of stars; and the planet Jupiter is accompanied by at least four satellites. The electrifying effects of these discoveries were amazing. They showed the human senses could be aided artificially to discover new truths about nature, something that neither philosophy nor theology had previous contended with. However, most importantly Ptolemy†s astronomical theory was impossible. Galileo had proven Copernicus theory correct. Galileo had great importance upon the history of ideas. The Renaissance produced many important people who invented or theorized very important advances in history. They all became strong symbols of revolt against the forces of authority, whilst the Renaissance flourished with the power of question. The Renaissance period provided modern culture with a variety of advances in technology, art, science and most importantly it gave mankind confidence. The ancient civilizations, in particular the Greeks and Romans, laid the foundations for civilizations and the Renaissance added the most important ingredient; the ability to ask why. It is appropriate to use the label ‘Rebirth† to describe European history in the 15th and 16th centuries. How to cite Renaissance history, Papers